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	<title>Film &#38; Media Studies &#124; UC Berkeley</title>
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	<description>Department of Film &#38; Media Studes at the University of California, Berkeley</description>
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		<title>Sept 2011: Gertrud Koch Seminar</title>
		<link>http://fm.berkeley.edu/2011/05/sept-2011-gertrud-koch-seminar/</link>
		<comments>http://fm.berkeley.edu/2011/05/sept-2011-gertrud-koch-seminar/#comments</comments>
		<pubDate>Thu, 19 May 2011 17:54:34 +0000</pubDate>
		<dc:creator>jtaylorson</dc:creator>
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		<description><![CDATA[<p>Gertrud Koch, Professor of Film Studies at the Free University of Berlin, will be the Max Kade Distinguished Visiting Professor in UC Berkeley&#8217;s German Department in Fall 2011. Koch will teach a Compact Seminar (German 204) on &#8220;Space and Time in Cinema.&#8221;  The course meets for four Friday sessions from September 9–30, 1-4pm, and will [...]]]></description>
			<content:encoded><![CDATA[<p>Gertrud Koch, Professor of Film Studies at the Free University of Berlin, will be the Max Kade Distinguished Visiting Professor in UC Berkeley&#8217;s German Department in Fall 2011. Koch will teach a Compact Seminar (German 204) on &#8220;Space and Time in Cinema.&#8221;  The course meets for four Friday sessions from September 9–30, 1-4pm, and will be given in English. Although examples will be taken from German cinema (with subtitles), your research paper is not limited to German films.  2 credits are given if you write a paper by the end of the semester.</p>
<p>A professor at the Free University of Berlin for two decades, Professor Koch is the preeminent film scholar in the German-speaking world. Her contributions to the academic study of cinema since the 1960s have shaped the field. She has published influential books on Siegfried Kracauer (<em>Siegfried Kracauer zur</em><em> </em><em>Einführung</em>, 1996; also published in English translation by Princeton University Press), Herbert Marcuse (<em>Herbert Marcuse zur Einführung</em>, 1987), the visual construction of Judaism (<em>Die Einstellung ist die</em><em> </em><em>Einstellung. Zur visuellen Konstruktion des Judentums</em>, 1992), and the representation of gender difference in film (<em>&#8220;Was ich erbeute, sind</em><em> </em><em>Bilder&#8221;. Zur filmischen Repräsentation der Geschlechterdifferenz</em>, 1988). Her recent articles include: &#8220;Carnivore or Chameleon: The Fate of Cinema Studies&#8221; (<em>Critical Inquiry</em>) and &#8220;Face and Mass: Towards an Aesthetic of the Cross-Cut in Film&#8221; (<em>New German Critique</em>).</p>
<p>Professor Koch’s course description for the compact seminar (German 204):</p>
<p>This seminar will take an interdisciplinary approach to the topic of &#8220;Space and Time in Cinema.&#8221; We will discuss philosophical positions and comparative texts addressing media-specific registers of space and time, with a focus on film. In this context, we will explore the relationship between narrativity, historical and media-specific time, as well as the construction of urban, global, and heterotopic space in film.</p>
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